Sunday, 1 November 2009

Scene #20



I think that I shall never see
A poem as lovely as a tree.
A tree whose hungry mouth is prest
Against the earth's sweet flowing breast;
A tree that looks at God all day,
And lifts her leafy arms to pray;
A tree that may in Summer wear
A nest of robins in her hair;
Upon whose bosom snow has lain;
Who intimately lives with rain.
Poems are made by fools like me,
But only God can make a tree.


Alfred Joyce Kilmer, "Trees".

Sunday, 4 October 2009

Scene #19



I heard the old, old men say,
"Everything alters,
And one by one we drop away."
They had hands like claws, and their knees
Were twisted like the old thorn-trees
By the waters.
I heard the old, old men say,
"All that's beautiful drifts away
Like the waters."


William Butler Yeats, ""The old men admiring themselves in the water"

Monday, 21 September 2009

Scene #18



Out there by the rocks, at the end of the bank,
In the mouth of the river, the Wanderer sank.
She is resting where meet the blue water and green,
And only her masts and her funnel are seen;
And you see, when is fading the sunset’s last fleck,
On her foremast a lantern—a light on a wreck.
’Tis a light on a wreck, warning ships to beware
Of the drowned iron hull of the Wanderer there;
And the ships that come in and go out in the night
Keep a careful lookout for the Wanderer’s light.
There are rules for the harbour and rules for the wave;
But all captains steer clear of the Wanderer’s grave.

And the stories of strong lives that ended in wrecks
Might be likened to lights over derelict decks;
Like the light where, in sight of the streets of the town,
In the mouth of the channel the Wanderer went down.
Keep a watch from the desk, as they watch from the deck;
Keep a watch from your home for the light on the wreck.

But the lights on the wrecks since creation began
Have been shining in vain for the vagabond clan.
They will never take warning, they will not beware,
For they hold for their mottoes ‘What matter?’ ‘What care?’
And they sail without compass, they sail without check,
Till they steer to their grave ’neath a light on a wreck.


Henry Lawson, "The light on the wreck".

Monday, 15 June 2009

Scene #17



Even on the smallest islands,
they are tilling the fields,
skylarks singing.


Kobayashi Issa.

Friday, 29 May 2009

Scene #16



By the mist clouds of fog that creep over the sun,
By the twinkles of stars that ethereally run,
By the surge of the welkin that roars from the pole,
And the deep hollow murmurs of winter that roll,
I've the moonshine to guide me, the frost to restrain,
As I journey through space, to reach heaven again.

I'm the Spirit of snow, and my compass is wide;
I can fall in the storm, in the wind I can ride;
I am white, I am pure, I am tender, I'm fair,
I was born in the seas, to the seas I repair;
By frost I am harden'd, by wet I'm destroy'd,
And, united with liquid, to Ocean decoy'd.

I have sisters of ether, have brothers of rime,
And my friendships are formed in the northerly clime.
My foes are the elements jarring with strife;
Air lets me pass on to my earth-bosomed wife;
Fire covets and melts me; but water's so kind,
That, when lost to the three, to the fourth I'm resign'd.

I have cousins of icicles, children of sleet;
Some battle with hail, others vanquish in heat;
I'm the Spirit of snow. By the will of the blast,
In the shallows and depths I am drifted at last;
And a glance of the sun, while I brighten in tears,
Dissolves my pretensions to reign in the spheres.


J. R. Prior, "The Spirit of Snow".

Friday, 1 May 2009

Scene #15

How I love to be back here, my favourite blog.



Green, how I want you green.
Green wind. Green branches.
The ship out on the sea
and the horse on the mountain.
With the shade around her waist
she dreams on her balcony,
green flesh, her hair green,
with eyes of cold silver.
Green, how I want you green.
Under the gypsy moon,
all things are watching her
and she cannot see them.

Green, how I want you green.
Big hoarfrost stars
come with the fish of shadow
that opens the road of dawn.
The fig tree rubs its wind
with the sandpaper of its branches,
and the forest, cunning cat,
bristles its brittle fibers.
But who will come? And from where?
She is still on her balcony
green flesh, her hair green,
dreaming in the bitter sea.

--My friend, I want to trade
my horse for her house,
my saddle for her mirror,
my knife for her blanket.
My friend, I come bleeding
from the gates of Cabra.
--If it were possible, my boy,
I'd help you fix that trade.
But now I am not I,
nor is my house now my house.
--My friend, I want to die
decently in my bed.
Of iron, if that's possible,
with blankets of fine chambray.
Don't you see the wound I have
from my chest up to my throat?
--Your white shirt has grown
thirsy dark brown roses.
Your blood oozes and flees a
round the corners of your sash.
But now I am not I,
nor is my house now my house.
--Let me climb up, at least,
up to the high balconies;
Let me climb up! Let me,
up to the green balconies.
Railings of the moon
through which the water rumbles.

Now the two friends climb up,
up to the high balconies.
Leaving a trail of blood.
Leaving a trail of teardrops.
Tin bell vines
were trembling on the roofs.
A thousand crystal tambourines
struck at the dawn light.

Green, how I want you green,
green wind, green branches.
The two friends climbed up.
The stiff wind left
in their mouths, a strange taste
of bile, of mint, and of basil
My friend, where is she--tell me--
where is your bitter girl?
How many times she waited for you!
How many times would she wait for you,
cool face, black hair,
on this green balcony!
Over the mouth of the cistern
the gypsy girl was swinging,
green flesh, her hair green,
with eyes of cold silver.
An icicle of moon
holds her up above the water.
The night became intimate
like a little plaza.
Drunken "Guardias Civiles"
were pounding on the door.
Green, how I want you green.
Green wind. Green branches.
The ship out on the sea.
And the horse on the mountain.

Federico García Lorca, "Romance sonámbulo".

Friday, 24 April 2009

Scene #14



It's like the light, —
A fashionless delight
It's like the bee, —
A dateless melody.

It's like the woods,
Private like breeze,
Phraseless, yet it stirs
The proudest trees.

It's like the morning, —
Best when it's done, —
The everlasting clocks
Chime noon.


Emily Dickinson, 297.

Sunday, 19 April 2009

Scene #13



Oh they won't let us show it at the beach no they won't let us show it at the beach
They think we're gonna grab it if it gets within our reach
And they won't let us show it at the beach

But you can show it in your parlor to most anyone you choose
You can show it at a party with your second shot of booze
You can show it on the corner wearin' overcoat and shoes
But they won't let us show it at the beach
No they won't let us show it at the beach friends
Ah they won't us show it at the beach
Oh they're sure we're gonna grab it if it gets within our reach
So they won't let us show it at the beach

But you can show it in the movies on the cineramic screen
You can show it in the most sophisticated magazine
You can show it while you're bouncing on the high school trampoline
But they won't let us show it at the beach

But if you've got a gun it's legal to display it on your hip
You can show your butcher knives to any interested kid
But if it's made for lovin' then you'd better keep it hid
And they won't let us show it at the beach


Sheldon Allan Silverstein, "Show it at the beach".

Saturday, 11 April 2009

Scene #12



When from afar these mountain tops I view,
I do but mete mine own distress thereby:
High is their head, and my desire is high;
Firm is their foot, my faith is certain, too.

E'en as the winds about their summits blue,
From me, too, breaks betimes the wistful sigh;
And as from them the brooks and streamlets hie,
So from mine eyes the tears run down anew.

A thousand flocks upon them feed and stray;
As many loves within me see the day,
And all my heart fore pasture ground divide.

No fruit have they, my lot as fruitless is;
And 'twixt us now nought diverse is but this—
In them the snows, in me the fires abide.


Mellin de Saint-Gelais, "The sonnet of the mountain".

Sunday, 5 April 2009

Scene #11

For Stephanie.



Let the old snow be covered with the new:
The trampled snow, so soiled, and stained, and sodden.
Let it be hidden wholly from our view
By pure white flakes, all trackless and untrodden.
When Winter dies, low at the sweet Spring's feet
Let him be mantled in a clean, white sheet.

Let the old life be covered by the new:
The old past life so full of sad mistakes,
Let it be wholly hidden from the view
By deeds as white and silent as snow-flakes.

Ere this earth life melts in the eternal Spring
Let the white mantle of repentance fling
Soft drapery about it, fold on fold,
Even as the new snow covers up the old.


Ella Wheeler Wilcox, "A March snow".

Thursday, 2 April 2009

Scene #10



A twist of folded grass, your pillow,
The only lodging on your journey;
Whose husband, I wonder?
Though in your land, forgotten
Home, they await you.


Kakinomoto no Asomi Hitomaro.

Sunday, 29 March 2009

Scene Nº 9



You ask me, `Why dwell among green mountains?'
I laugh in silence; my soul is quiet.
Peach petals blow on mountain streams
To earths and skies beyond Humankind.


Li Po.

Tuesday, 13 January 2009

Scene Nº 8



[...]
Where the slumbering earthquake
Lies pillow'd on fire,
And the lakes of bitumen
Rise boilingly higher;
Where the roots of the Andes
Strike deep in the earth,
As their summits to heaven
Shoot soaringly forth;
I have quitted my birthplace,
Thy bidding to bide-
Thy spell hath subdued me,
Thy will be my guide!
[...]

Lord Byron, from "Manfred".