Sunday, 1 November 2009

Scene #20



I think that I shall never see
A poem as lovely as a tree.
A tree whose hungry mouth is prest
Against the earth's sweet flowing breast;
A tree that looks at God all day,
And lifts her leafy arms to pray;
A tree that may in Summer wear
A nest of robins in her hair;
Upon whose bosom snow has lain;
Who intimately lives with rain.
Poems are made by fools like me,
But only God can make a tree.


Alfred Joyce Kilmer, "Trees".

Sunday, 4 October 2009

Scene #19



I heard the old, old men say,
"Everything alters,
And one by one we drop away."
They had hands like claws, and their knees
Were twisted like the old thorn-trees
By the waters.
I heard the old, old men say,
"All that's beautiful drifts away
Like the waters."


William Butler Yeats, ""The old men admiring themselves in the water"

Monday, 21 September 2009

Scene #18



Out there by the rocks, at the end of the bank,
In the mouth of the river, the Wanderer sank.
She is resting where meet the blue water and green,
And only her masts and her funnel are seen;
And you see, when is fading the sunset’s last fleck,
On her foremast a lantern—a light on a wreck.
’Tis a light on a wreck, warning ships to beware
Of the drowned iron hull of the Wanderer there;
And the ships that come in and go out in the night
Keep a careful lookout for the Wanderer’s light.
There are rules for the harbour and rules for the wave;
But all captains steer clear of the Wanderer’s grave.

And the stories of strong lives that ended in wrecks
Might be likened to lights over derelict decks;
Like the light where, in sight of the streets of the town,
In the mouth of the channel the Wanderer went down.
Keep a watch from the desk, as they watch from the deck;
Keep a watch from your home for the light on the wreck.

But the lights on the wrecks since creation began
Have been shining in vain for the vagabond clan.
They will never take warning, they will not beware,
For they hold for their mottoes ‘What matter?’ ‘What care?’
And they sail without compass, they sail without check,
Till they steer to their grave ’neath a light on a wreck.


Henry Lawson, "The light on the wreck".

Monday, 15 June 2009

Scene #17



Even on the smallest islands,
they are tilling the fields,
skylarks singing.


Kobayashi Issa.

Friday, 29 May 2009

Scene #16



By the mist clouds of fog that creep over the sun,
By the twinkles of stars that ethereally run,
By the surge of the welkin that roars from the pole,
And the deep hollow murmurs of winter that roll,
I've the moonshine to guide me, the frost to restrain,
As I journey through space, to reach heaven again.

I'm the Spirit of snow, and my compass is wide;
I can fall in the storm, in the wind I can ride;
I am white, I am pure, I am tender, I'm fair,
I was born in the seas, to the seas I repair;
By frost I am harden'd, by wet I'm destroy'd,
And, united with liquid, to Ocean decoy'd.

I have sisters of ether, have brothers of rime,
And my friendships are formed in the northerly clime.
My foes are the elements jarring with strife;
Air lets me pass on to my earth-bosomed wife;
Fire covets and melts me; but water's so kind,
That, when lost to the three, to the fourth I'm resign'd.

I have cousins of icicles, children of sleet;
Some battle with hail, others vanquish in heat;
I'm the Spirit of snow. By the will of the blast,
In the shallows and depths I am drifted at last;
And a glance of the sun, while I brighten in tears,
Dissolves my pretensions to reign in the spheres.


J. R. Prior, "The Spirit of Snow".

Friday, 1 May 2009

Scene #15

How I love to be back here, my favourite blog.



Green, how I want you green.
Green wind. Green branches.
The ship out on the sea
and the horse on the mountain.
With the shade around her waist
she dreams on her balcony,
green flesh, her hair green,
with eyes of cold silver.
Green, how I want you green.
Under the gypsy moon,
all things are watching her
and she cannot see them.

Green, how I want you green.
Big hoarfrost stars
come with the fish of shadow
that opens the road of dawn.
The fig tree rubs its wind
with the sandpaper of its branches,
and the forest, cunning cat,
bristles its brittle fibers.
But who will come? And from where?
She is still on her balcony
green flesh, her hair green,
dreaming in the bitter sea.

--My friend, I want to trade
my horse for her house,
my saddle for her mirror,
my knife for her blanket.
My friend, I come bleeding
from the gates of Cabra.
--If it were possible, my boy,
I'd help you fix that trade.
But now I am not I,
nor is my house now my house.
--My friend, I want to die
decently in my bed.
Of iron, if that's possible,
with blankets of fine chambray.
Don't you see the wound I have
from my chest up to my throat?
--Your white shirt has grown
thirsy dark brown roses.
Your blood oozes and flees a
round the corners of your sash.
But now I am not I,
nor is my house now my house.
--Let me climb up, at least,
up to the high balconies;
Let me climb up! Let me,
up to the green balconies.
Railings of the moon
through which the water rumbles.

Now the two friends climb up,
up to the high balconies.
Leaving a trail of blood.
Leaving a trail of teardrops.
Tin bell vines
were trembling on the roofs.
A thousand crystal tambourines
struck at the dawn light.

Green, how I want you green,
green wind, green branches.
The two friends climbed up.
The stiff wind left
in their mouths, a strange taste
of bile, of mint, and of basil
My friend, where is she--tell me--
where is your bitter girl?
How many times she waited for you!
How many times would she wait for you,
cool face, black hair,
on this green balcony!
Over the mouth of the cistern
the gypsy girl was swinging,
green flesh, her hair green,
with eyes of cold silver.
An icicle of moon
holds her up above the water.
The night became intimate
like a little plaza.
Drunken "Guardias Civiles"
were pounding on the door.
Green, how I want you green.
Green wind. Green branches.
The ship out on the sea.
And the horse on the mountain.

Federico García Lorca, "Romance sonámbulo".

Friday, 24 April 2009

Scene #14



It's like the light, —
A fashionless delight
It's like the bee, —
A dateless melody.

It's like the woods,
Private like breeze,
Phraseless, yet it stirs
The proudest trees.

It's like the morning, —
Best when it's done, —
The everlasting clocks
Chime noon.


Emily Dickinson, 297.

Sunday, 19 April 2009

Scene #13



Oh they won't let us show it at the beach no they won't let us show it at the beach
They think we're gonna grab it if it gets within our reach
And they won't let us show it at the beach

But you can show it in your parlor to most anyone you choose
You can show it at a party with your second shot of booze
You can show it on the corner wearin' overcoat and shoes
But they won't let us show it at the beach
No they won't let us show it at the beach friends
Ah they won't us show it at the beach
Oh they're sure we're gonna grab it if it gets within our reach
So they won't let us show it at the beach

But you can show it in the movies on the cineramic screen
You can show it in the most sophisticated magazine
You can show it while you're bouncing on the high school trampoline
But they won't let us show it at the beach

But if you've got a gun it's legal to display it on your hip
You can show your butcher knives to any interested kid
But if it's made for lovin' then you'd better keep it hid
And they won't let us show it at the beach


Sheldon Allan Silverstein, "Show it at the beach".

Saturday, 11 April 2009

Scene #12



When from afar these mountain tops I view,
I do but mete mine own distress thereby:
High is their head, and my desire is high;
Firm is their foot, my faith is certain, too.

E'en as the winds about their summits blue,
From me, too, breaks betimes the wistful sigh;
And as from them the brooks and streamlets hie,
So from mine eyes the tears run down anew.

A thousand flocks upon them feed and stray;
As many loves within me see the day,
And all my heart fore pasture ground divide.

No fruit have they, my lot as fruitless is;
And 'twixt us now nought diverse is but this—
In them the snows, in me the fires abide.


Mellin de Saint-Gelais, "The sonnet of the mountain".

Sunday, 5 April 2009

Scene #11

For Stephanie.



Let the old snow be covered with the new:
The trampled snow, so soiled, and stained, and sodden.
Let it be hidden wholly from our view
By pure white flakes, all trackless and untrodden.
When Winter dies, low at the sweet Spring's feet
Let him be mantled in a clean, white sheet.

Let the old life be covered by the new:
The old past life so full of sad mistakes,
Let it be wholly hidden from the view
By deeds as white and silent as snow-flakes.

Ere this earth life melts in the eternal Spring
Let the white mantle of repentance fling
Soft drapery about it, fold on fold,
Even as the new snow covers up the old.


Ella Wheeler Wilcox, "A March snow".

Thursday, 2 April 2009

Scene #10



A twist of folded grass, your pillow,
The only lodging on your journey;
Whose husband, I wonder?
Though in your land, forgotten
Home, they await you.


Kakinomoto no Asomi Hitomaro.

Sunday, 29 March 2009

Scene Nº 9



You ask me, `Why dwell among green mountains?'
I laugh in silence; my soul is quiet.
Peach petals blow on mountain streams
To earths and skies beyond Humankind.


Li Po.

Tuesday, 13 January 2009

Scene Nº 8



[...]
Where the slumbering earthquake
Lies pillow'd on fire,
And the lakes of bitumen
Rise boilingly higher;
Where the roots of the Andes
Strike deep in the earth,
As their summits to heaven
Shoot soaringly forth;
I have quitted my birthplace,
Thy bidding to bide-
Thy spell hath subdued me,
Thy will be my guide!
[...]

Lord Byron, from "Manfred".

Sunday, 28 December 2008

Scene Nº 7



Open the door now.
Go roll up the collar of your coat
To walk in the changing scarf of mist.

Tell your sins here to the pearl fog
And know for once a deepening night
Strange as the half-meanings
Alurk in a wise woman's mousey eyes.

Yes, tell your sins
And know how careless a pearl fog is
Of the laws you have broken.

Carl Sandburg, "Pearl fog".

Sunday, 16 November 2008

Scene Nº 6

Scenawry is fighting to survive! I like trying to resurrect things of my past, even if I'm beating a dead horse, I like to try.
This is another heartbeat, and a thankful blink/song for M.:



We live on a mountain
Right at the top
There's a beautiful view
From the top of the mountain
Every morning I walk towards the edge
And throw little things off
Like:
Car parts, bottles and cutlery
Or whatever I find lying around

It's become a habit
A way
To start the day

I go through all this
Before you wake up
So I can feel happier
To be safe up here with you

It's early morning
No one is awake
I'm back at my cliff
Still throwing things off
I listen to the sounds they make
On their way down
I follow with my eyes 'til they crash
Imagine what my body would sound like
Slamming against those rocks

When it lands
Will my eyes
Be closed or open?

I go through all this
Before you wake up
So I can feel happier
To be safe up here with you.

Bjork, "hyperballad".

Tuesday, 9 September 2008

Blog inactive due to lack of resources

Tonight, the night of september the 8th, I came back to my house from work and found that people broke into my house and stole some goods out of it while I was working. Could have been during the morning, afternoon or night, because I'm some kind of a workoholic animal, of some sort. One of the things stolen was my laptop with all of my visual artworks since 2003 plus the programs I developed for generating images using genetic algorithms and L-Systems, my ex-professors in university have one of the last backups, so I can recover one of the last versions of my programs, but not the last improvements, nor my images or artworks, not the ones that I made and didn't posted yet, they are around 15, possibly lost forever. Again, the most painful thing to lose are my "seeds", all the math data of every image, from where I evolve the next generation, last time I lost that was because of a disk failure, in 2007, now this. I use to forget backups, because I'm an airhead.
I also lost pictures, videos, schedules, grades and sheets from my students, etc. and my e-mail database with all my e-mails and phone numbers since 2002, so if you are one of my contacts, bare with me until I recover all the data that I can, may be I'll ask you some data yet, if I can find you. Aside from that I'll have to be using a freaking web-mail interface for work, which I hate because I prefer an e-mail client, and will not have any history of previous e-mails, but well: being robbed sucks.


The blogs will be inactive until I can work on this somehow, and restart producing images. This is a space that I appreciate a lot and eventually, I'll be back somehow.
Until then.

Sunday, 7 September 2008

Scene Nº 5

An improved version of the previous, now with cloud's shadows on the ground.

Thursday, 28 August 2008

Scene Nº 4

In the desert
I saw a creature, naked, bestial,
who, squatting upon the ground,
Held his heart in his hands,
And ate of it.
I said, "Is it good, friend?"
"It is bitter — bitter," he answered;

"But I like it
Because it is bitter,
And because it is my heart."

Stephen Maria Crane, "In the desert".

Sunday, 24 August 2008

Scene Nº 3



I climbed the barren mountain,
And my gaze swept far and wide
For the red-lit eaves of my father's home,
And I fancied that he sighed:
My son has gone for a soldier,
For a soldier night and day;
But my son is wise, and may yet return,
When the drums have died away.

[...]

Confucius, "The soldier".

Wednesday, 20 August 2008

Scene Nº 2



[...]

Worn with the fever of unrest,
And spent with years of eager quest,
Beneath the vaulted heaven they stood,
Pale, haggard eyed, of garb uncouth,
The seekers of the Hidden Good,
The searchers for Eternal Truth!

[...]

Around their dreary winter world
The great ice-kraken dimly curled
The white seas of the frozen zone;
And like a mighty lifted shield
The hollow heavens forever shone
On gleaming fiord and pathless field!
Behind them, in the nether deep,
The central fires, that never sleep,
Grappled and rose, and fell again;
And with colossal shock and throe
The shuddering mountain rent in twain
Her garments of perpetual snow!

[...]

Emma Alice Browne, "In hoc signo vinces!".

Tuesday, 19 August 2008

Scene Nº 1



With thee, in the Desert—
With thee in the thirst—
With thee in the Tamarind wood—
Leopard breathes —at last!

Emily Dickinson, Nº 209.